A new album from Hank Williams III is always a revelation: first, because it came out at all (his relationship with his label is as stormy as the marriage of his legendary grandparents); and second, because of its content and execution. So it's something of a miracle to see a 2-CD set of some of III's most hardcore Hellbilly (as opposed to the relentless screaming of his Assjack), especially as a number of the songs had been scheduled to appear